Helmed by Portishead co-founder the musician-producer, this sharp-edged if undernourished first film casts a critical gaze on the ecstasy-fueled club scene. Venal pillhead David (Marc Bessant) initially steals from an unconscious dealer, then in a later recollection tries to burgle his own family home. In no time, he's overturned in the remains of his car in a forest – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with impatience toward townies, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Grimly Amusing Confrontation
Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into past scenes of his normal activities. The central theme – that the ecstasy generation were mainly focused on number one – is firmly made. But these vignettes are too thin to adequately prepare us for what to expect when the Poacher turns up, fuming after David strangles his dog. Nevertheless, a darkly funny standoff unfolds – David desperate to escape; the Poacher withholding his jerrycan of scrumpy, determined to dousing him instead in embittered discourse. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.
Visual Flair and Promo-Inspired Sensibility
Just a single key story turn, but it results in a hilariously staged rampage on the woodland paths that dips close to folk horror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing artful shots of insects in the light in the opening part, he now goes all out with the full psychedelic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.
The film releases in British and Irish cinemas from 17 November.
